Underground
Tattoo and Arts Studio, on the corner of Vivian Street and Victoria Street, is
a multicultural building, mixing Neo-classical style architecture with
Modernism, while being influenced by native Maori designs. The columns are
painted onto the building rather than architecturally designed into them emphasising
the modernist aspects of the building. The columns, similar to the Angular
Greek Corinthian style with necking on the Vivian Street face and more basic
Doric style on the Victoria Street face has been modified by Maori style
designs. Demetri Porphyrios (1987) describes the classical style as "Classicism
is not a style, but a tradition that has evolved from and co-existed with
the vernacular. It is a living tradition open to adaptation and interpretation,
and responsive to region, climate, nature and culture." This explains that
any style can influence classicism and force it to adapt similar to how the
Maori patterns and designs adapt the style of the Corinthian column.
The Maori
patterns replace the Greek design on the columns, personalising it and adapting
the Classical designs; traditional styles and patterns are made in the Maori
design which links it to the Maori culture in New Zealand. The decoration on
the Victoria Street face of the building incorporates a Taniwha; a mythological
creature from native historical Maori stories that was believed to be
proctective guardians of people or places or a dangerous predator that
kidnapped women. This influence from Maori culture creates an effect that is
unnatural for a building. The combination of Classicism and Modernism is an
unnatural blend; with the inspiration of New Zealand native Maori designs
making the building appear a mismatch of designs.
Jorgensen, L.B., & Porphyrios, D.(1987) Vienna
Parliament. Neoclassical architecture in Copenhagen & Athens, 57,
63-68.
Barrow, T. (1923) An
Illustrated guide to Maori Art, Auckland, N.Z. Reed (1995)
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